腐女

'장기 배치 탈진' 논란 美항모 링컨함, 내주 태국 기항_我的网站

一袋女王

A | "승조원 휴식·재충전과 군수지원 위해 정박" 미 해군 항모 에이브러햄 링컨함지난 22일(현지시간) 인도양에서 촬영된 미 해군 핵추진 항공모함 에이브러햄 링컨함의 모습.[로이터 연합뉴스 자료사진. 재판매 및 DB 금지](하노이=연합뉴스) 박진형 특파원 = 장기간 작전 투입으로 승조원들의 '탈진' 논란에 휩싸인 채 귀항 중인 미 해군 핵 추진 항공모함 에이브러햄 링컨함이 내주 태국에 기항, 승조원들이 오랜만에 육지에서 휴식 시간을 갖게 됐다. 26일(현지시간) 로이터 통신과 방콕포스트·네이션 등 현지 매체들에 따르면 다음 주 링컨함이 같은 항모전단 소속 함정 2척과 함께 태국에 정박할 예정이라고 태국 당국자가 밝혔다. 태국 해군 대변인은 성명을 통해 "이번 정박은 장병들에게 휴식과 재충전의 기회를 제공하고 군수 지원을 받기 위한 통상적인 항구 방문"이라고 설명했다. 또 이번 방문은 태국 해군과의 훈련이나 연합 군사작전이 아니며, 특정 국가나 상황과도 관련이 없다고 덧붙였다. 태국 해군은 보안상의 이유로 함정 이름이나 정박 일정, 장소를 공개하지 않았지만, 통상 미 해군 항공모함은 중부 촌부리주 사따힙 항에 입항하곤 한다. 사따힙은 유명 관광지 파타야와 인접한 곳이다. 약 5천 명의 승조원을 태운 링컨함은 지난해 11월 하순 미 캘리포니아주 샌디에이고의 모항을 출발, 12월 괌에 한차례 기항한 뒤 올해 7월 7일 오만에 잠시 들를 때까지 208일 연속 해상에 머물렀다. 이는 현대 해군 역사상 전례 없는 장기 해상 배치라고 미 언론들은 전했다. 이란의 미사일·드론 공격으로 바레인 미 해군 기지가 심각한 피해를 당하고 중동 여러 국가의 항만도 사용하기 어려워지면서 링컨함 승조원들은 장기간 배에서 내려 휴식할 기회를 갖지 못했다. 보급도 작전 장소인 오만만에서 약 3천540㎞ 떨어진 인도양 디에고 가르시아 섬의 기지에 의존하게 되면서 물자 부족도 심각해졌다. 이런 상황에서 승조원들이 극심한 피로와 사기 저하에 시달리며, 투신 시도가 잇따르는 등 정신건강 문제가 심각하다는 보도가 잇따랐다. 논란이 확산하자 결국 지난 20일 링컨함은 임무를 종료하고 샌디에이고 모항으로 귀향길에 올랐다. 다만 태평양 담당인 미 해군 항모 조지 워싱턴함이 중동 지역으로 이동, 링컨함과 교대하면서 아시아태평양 지역에는 미군 항모가 부재한 상태가 돼 미국의 아시아 안보 공약이 약화하는 것 아니냐는 우려가 나온다. [email protected]。 In an industry celebrated for its grounded storytelling and ever-expanding creative scope, Malayalam cinema has always had a sharp eye for talent that can carry both wit and weight. And yet, there are some actors who arrive not with a bang, but like a slow-burning ember: steady, self-assured, and impossible to ignore once the smoke clears. Naslen K Gafoor is that ember. At 25, he already carries the quiet confidence of someone who knows exactly where he belongs: right at the heart of the new Malayalam wave. Hailing from Kodungallur in Kerala, Naslen’s screen debut in Thanneer Mathan Dinangal (2019) wasn’t designed to steal the spotlight. But it did. As Melvin, the motormouth classmate with a knack for sly digs and one-liners, Naslen didn’t just elicit laughs. He exuded that rare quality of feeling entirely unscripted. That natural ease, a kind of controlled chaos wrapped in charm, immediately caught the audience’s attention. Here was someone who wasn’t trying to act cool, he just was. But what sets Naslen apart is not just how he began, but what he’s done since. The Steady Curve of Craft In an industry that often rushes to anoint its next sensation, Naslen has taken a more grounded path, one that reflects not the frenzy of overnight stardom, but the finesse of patience. Following his debut, he moved into darker terrain with Kuruthi (2021), a tense, socially charged thriller where he played Rasool, a teenager navigating communal tension and moral ambiguity. The film’s heavy tone was a sharp detour from his comic roots, and Naslen, in a role that could’ve easily been overshadowed, held his ground with a calm, brooding restraint. In Home (2021), a touching domestic drama, he slipped into the role of a millennial son with the same kind of quiet conviction. And in Keshu Ee Veedinte Nadhan, even in a smaller role, he managed to bring levity without ever feeling like filler. There’s an elasticity in his performances; one that doesn’t demand space but earns it. This ability to shapeshift without calling attention to the shift is what makes Naslen a standout in his generation. He doesn’t rely on gimmicks or heightened theatrics. He understands tone, rhythm, and, most importantly, silence. There’s power in the pauses, and Naslen knows where to place them. The Premalu Phenomenon Then came Premalu (2024). The film was never designed as a megahit, but like the best of Malayalam cinema, it found its resonance in relatability. As Sachin, a kind-hearted, emotionally awkward engineering graduate navigating unspoken feelings and second chances, Naslen delivered a performance that was both endearing and exact. The kind of role that required an actor to be funny without clowning, vulnerable without sobbing, and hopeful without being naive. He nailed it. What followed was nothing short of a sensation. Premalu shattered expectations at the box office, becoming one of the top-grossing Malayalam films of all time. But perhaps more interesting than the numbers was the public reaction. Even as the film’s success was celebrated, there was a quiet murmur among fans online: Why was Naslen, the heart of the film, missing from the spotlight? It wasn’t outrage, just a collective acknowledgment that the actor who made you feel the most was somehow being spoken about the least. In some ways, that reflects Naslen’s approach to fame. He’s not elbowing his way to the centre. He’s more comfortable on the fringes, letting the work speak. And yet, it’s impossible not to notice when the voice is that clear. Jojo Johnson and the Boxing Ring If Premalu was the quiet breakthrough, Alappuzha Gymkhana (2025) was the full-bodied leap. As Jojo Johnson, a carefree college kid thrust into the sweaty, brutal world of amateur boxing, Naslen offered a performance that required physical grit and emotional growth. He trained, transformed, and threw punches that didn’t just hit faces but landed emotionally. What could’ve been a conventional sports flick turned into something more nuanced, and Naslen was at the centre of it all. It became a summer hit, reaffirming that this wasn’t a fluke. He could now headline films, and carry them, weight class included. The Road Ahead: Superheroes and Sequels The Malayalam film industry, while deeply rooted in realism, has begun to flirt more freely with scale and spectacle. Naslen’s upcoming ventures are proof of that shift. A much-anticipated Premalu sequel is in the works, albeit delayed, and more intriguingly, he’s been cast in Lokah: Chapter One – Chandra, a superhero film backed by Dulquer Salmaan’s Wayfarer Films. The Charm of the Unbranded Star At a time when branding often outweighs performance, Naslen is an outlier. He isn’t everywhere, and maybe that’s the trick. His face isn’t on every poster, and he doesn’t flood feeds with curated content. What you get, instead, is the feeling that when he is on screen, you’re about to watch something real. Something lived-in. There’s no desperation to “arrive.” He’s already here, just taking the long way around. The Long Game Naslen Gafoor represents a kind of career arc that’s becoming increasingly rare; where each role is a rung, not a pedestal. He’s building something, not grabbing it. The comparisons to stars like Nivin Pauly or Fahadh Faasil are inevitable, but also unfair. He isn’t mimicking a template; he’s sketching his own. He may not yet be the most visible name in the industry but make no mistake: he’s being watched—by fans, by filmmakers, and by a generation of actors learning that charm doesn’t always need volume. See Also: Ranbir – Alia wedding: Alia Bhatt’s Juhu home gets decorated。