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How a 'Three-Body' fan became China’s award-winning sci-fi writer_我的网站
一 | Filmfare returned with the 6th edition of the Filmfare OTT Awards to honour the finest artistes, directors, storytellers, musicians and technicians from OTT series, web original films and short films. The grand awards ceremony, held on December 15, 2025, saw some of the best names take home the prestigious Black Lady. The Best Series Award went to Black Warrant while Paatal Lok bagged the Best Series, Critics' Award. Monika Panwar won in the Best Actor Series (Female): Drama category for her role in the spine-chilling Khauf while Jaideep Ahlawat won the Best Actor, Series (Male): Drama award for the gritty Paatal Lok. Barun Sobti and Sparsh Shrivastava were joint winners in the Best Actor Series (Male): Comedy category for Raat Jawaan Hai and Dupahiya, respectively. Ananya Panday bagged the Best Actor, Series (Female): Comedy award for for Call Me Bae. Here are the winners of Filmfare OTT Awards 2025, co-powered by Hyundai and Blenders Pride. In This Article BEST SERIESBEST DIRECTOR, SERIESBEST SERIES (CRITICS')BEST DIRECTOR: SERIES (CRITICS')BEST ACTOR, SERIES (MALE): DRAMABEST ACTOR (MALE), SERIES, CRITICS': DRAMABEST ACTOR, SERIES (FEMALE): DRAMABEST ACTOR (FEMALE), SERIES, CRITICS': DRAMABEST COMEDY (SERIES/SPECIALS)BEST ACTOR, SERIES (MALE): COMEDYBEST ACTOR, SERIES (FEMALE): COMEDYBEST SUPPORTING ACTOR, SERIES (MALE): DRAMABEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMABEST SUPPORTING ACTOR, SERIES (MALE): COMEDYBEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDYBEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL)BEST FILM, WEB ORIGINALBEST DIRECTOR, WEB ORIGINAL FILMBEST WEB ORIGINAL FILM: CRITICS'BEST ACTOR, WEB ORIGINAL FILM (MALE)BEST ACTOR, WEB ORIGINAL FILM (FEMALE)BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILMBEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILMBEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE)BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE)BEST STORY, SERIESBEST ORIGINAL SCREENPLAY, SERIESBEST ADAPTED SCREENPLAY, SERIESBEST DIALOGUE, SERIESBEST CINEMATOGRAPHER, SERIESBEST PRODUCTION DESIGN, SERIESBEST EDITING, SERIESBEST COSTUME DESIGN, SERIESBEST BACKGROUND MUSIC, SERIESBEST VFX, SERIESBEST SOUND DESIGN, SERIESBEST MUSIC ALBUM, SERIESBEST STORY (WEB ORIGINAL FILM)BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM)BEST DIALOGUE (WEB ORIGINAL FILM)BEST CINEMATOGRAPHER (WEB ORIGINAL FILM)BEST PRODUCTION DESIGN (WEB ORIGINAL FILM)BEST EDITING (WEB ORIGINAL FILM)BEST BACKGROUND MUSIC (WEB ORIGINAL FILM)BEST SOUND DESIGN (WEB ORIGINAL FILM)BEST MUSIC ALBUM (WEB ORIGINAL FILM)BEST DEBUT DIRECTOR, SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIESBREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIESBEST DEBUT DIRECTOR, WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILMBREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILMBEST SHORT FILM (PEOPLE'S CHOICE)BEST ACTOR (FEMALE), SHORT FILMBEST ACTOR (MALE), SHORT FILMBEST SHORT FILM (FICTION)BEST SHORT FILM (NON-FICTION OR DOCUMENTARY)BEST DIRECTOR, SHORT FILMBEST SERIES BLACK WARRANT BEST DIRECTOR, SERIES VIKRAMADITYA MOTWANE, SATYANSHU SINGH, ARKESH AJAY, AMBIECKA PANDIT AND ROHIN RAVEENDRAN (BLACK WARRANT) BEST SERIES (CRITICS') PAATAL LOK SEASON 2 BEST DIRECTOR: SERIES (CRITICS') ANUBHAV SINHA (IC 814: THE KANDAHAR HIJACK) NAGESH KUKUNOOR (THE HUNT: THE RAJIV GANDHI ASSASSINATION CASE) BEST ACTOR, SERIES (MALE): DRAMA JAIDEEP AHLAWAT (PAATAL LOK SEASON 2) BEST ACTOR (MALE), SERIES, CRITICS': DRAMA ZAHAN KAPOOR (BLACK WARRANT) BEST ACTOR, SERIES (FEMALE): DRAMA MONIKA PANWAR (KHAUF) BEST ACTOR (FEMALE), SERIES, CRITICS': DRAMA RASIKA DUGAL (SHEKHAR HOME) BEST COMEDY (SERIES/SPECIALS) RAAT JAWAAN HAI (SUMEET VYAS) BEST ACTOR, SERIES (MALE): COMEDY BARUN SOBTI (RAAT JAWAAN HAI) SPARSH SHRIVASTAVA (DUPAHIYA) BEST ACTOR, SERIES (FEMALE): COMEDY ANANYA PANDAY (CALL ME BAE) BEST SUPPORTING ACTOR, SERIES (MALE): DRAMA RAHUL BHAT (BLACK WARRANT) BEST SUPPORTING ACTOR, SERIES (FEMALE ): DRAMA TILLOTAMA SHOME (PAATAL LOK- SEASON 2) BEST SUPPORTING ACTOR, SERIES (MALE): COMEDY VINAY PATHAK (GRAM CHIKITSALAY) BEST SUPPORTING ACTOR, SERIES (FEMALE): COMEDY RENUKA SHAHANE (DUPAHIYA) BEST (NON FICTION) ORIGINAL (SERIES/ SPECIAL) ANGRY YOUNG MEN (NAMRATA RAO) BEST FILM, WEB ORIGINAL GIRLS WILL BE GIRLS BEST DIRECTOR, WEB ORIGINAL FILM SHUCHI TALATI (GIRLS WILL BE GIRLS) BEST WEB ORIGINAL FILM: CRITICS' BOMAN IRANI (THE MEHTA BOYS) BEST ACTOR, WEB ORIGINAL FILM (MALE) ABHISHEK BANERJEE (STOLEN) BEST ACTOR, WEB ORIGINAL FILM (FEMALE) SANYA MALHOTRA (MRS) BEST ACTOR (MALE) CRITICS' WEB ORIGINAL FILM VIKRANT MASSEY (SECTOR 36) BEST ACTOR (FEMALE) CRITICS' WEB ORIGINAL FILM PREETI PANIGRAHI (GIRLS WILL BE GIRLS) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (MALE) DEEPAK DOBRIYAL (SECTOR 36) BEST SUPPORTING ACTOR, WEB ORIGINAL FILM (FEMALE) KANI KUSRUTI (GIRLS WILL BE GIRLS) BEST STORY, SERIES SMITA SINGH (KHAUF) SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ORIGINAL SCREENPLAY, SERIES SUDIP SHARMA, ABHISHEK BANERJEE, RAHUL KANOJIA, TAMAL SEN (PAATAL LOK SEASON 2) BEST ADAPTED SCREENPLAY, SERIES SATYANSHU SINGH & ARKESH AJAY (BLACK WARRANT) BEST DIALOGUE, SERIES ANUBHAV SINHA & TRISHANT SRIVASTAVA (IC 814: THE KANDAHAR HIJACK) BEST CINEMATOGRAPHER, SERIES PANKAJ KUMAR (KHAUF) BEST PRODUCTION DESIGN, SERIES PRIYA SUHAAS, SURABHI VERMA (FREEDOM AT MIDNIGHT) BEST EDITING, SERIES TANYA CHHABRIA (KHAUF) BEST COSTUME DESIGN, SERIES AYESHA DASGUPTA (FREEDOM AT MIDNIGHT) BEST BACKGROUND MUSIC, SERIES ALOKANANDA DASGUPTA (KHAUF) BEST VFX, SERIES PHANTOM FX (KHAUF) BEST SOUND DESIGN, SERIES BIGYNA DAHAL (KHAUF) BEST MUSIC ALBUM, SERIES AKASHDEEP SENGUPTA (BANDISH BANDITS SEASON 2) BEST STORY (WEB ORIGINAL FILM) KARAN TEJPAL, GAURAV DHINGRA, SWAPNIL SALKAR (STOLEN) BEST ORIGINAL SCREENPLAY (WEB ORIGINAL FILM) AVINASH SAMPATH & VIKRAMADITYA MOTWANE (CTRL) BEST DIALOGUE (WEB ORIGINAL FILM) VIJAY MAURYA (AGNI) BEST CINEMATOGRAPHER (WEB ORIGINAL FILM) ISSHAAN GHOSH (STOLEN) BEST PRODUCTION DESIGN (WEB ORIGINAL FILM) ACROPOLIS, SUMIT BASU, SNIGDHA BASU & RAJNISH HEDAO (AGNI) BEST EDITING (WEB ORIGINAL FILM) JAHAAN NOBLE (CTRL) BEST BACKGROUND MUSIC (WEB ORIGINAL FILM) SNEHA KHANWALKAR (CTRL) BEST SOUND DESIGN (WEB ORIGINAL FILM) SUSMIT BOB NATH (STOLEN) BEST MUSIC ALBUM (WEB ORIGINAL FILM) JUSTIN PRABHAKARAN & ROCHAK KOHLI (AAP JAISA KOI) BEST DEBUT DIRECTOR, SERIES PUSHKAR SUNIL MAHABAL (BLACK, WHITE & GRAY- LOVE KILLS) BREAKTHROUGH PERFORMANCE BY A NEWCOMER (MALE), SERIES ANURAG THAKUR (BLACK WARRANT ) BREAKTHROUGH PERFORMANCE BY A NEWCOMER (FEMALE), SERIES LISA MISHRA (CALL ME BAE) BEST DEBUT DIRECTOR, WEB ORIGINAL FILM KARAN TEJPAL (STOLEN) ADITYA NIMBALKAR (SECTOR 36) BREAKTHROUGH PERFORMANCE BY NEWCOMER (MALE), WEB ORIGINAL FILM SHUBHAM VARDHAN (STOLEN) BREAKTHROUGH PERFORMANCE BY NEWCOMER (FEMALE), WEB ORIGINAL FILM ARRCHITA AGARWAL (DESPATCH) BEST SHORT FILM (PEOPLE'S CHOICE) DIVORCE DIRECTOR: RAAGHAV KANSAL BEST ACTOR (FEMALE), SHORT FILM FATIMA SANA SHAIKH FILM: AYESHA BEST ACTOR (MALE), SHORT FILM AYAN KHAN FILM: CHASHMA BEST SHORT FILM (FICTION) AYESHA DIRECTOR: NIHIT BHAVE BEST SHORT FILM (NON-FICTION OR DOCUMENTARY) LANGUR DIRECTOR: HAIDER KHAN BEST DIRECTOR, SHORT FILM RENUKA SHAHANE FILM: DHAAVPATTI Also Read: All Inside Pictures From The Filmfare OTT Awards 2025。
Before becoming an award-winning science fiction writer, Baoshu was simply a fan fascinated by Hugo Award winner Liu Cixin's The Three-Body Problem. His desire to explore the universe created by the blockbuster trilogy led him to write The Redemption of Time (Remembrance of Earth's Past), a fan work that later became a published novel.
Years later, Baoshu has become one of the notable voices in Chinese science fiction. He was honored with the Mao Dun Newcomer Award this year, one of China's most prestigious literary awards for young writers. Established in 2015, the award recognizes outstanding writers and critics under the age of 45.
The award committee said his works have expanded the possibilities of science fiction through exploration of time, civilizations and the impact of technology on everyday life.
The honor adds to a growing list of achievements. Baoshu had previously won the Galaxy Award, China's equivalent of the Nebula Awards. His short story Tasting the Future Delicacy Three Times was a finalist for the Hugo Award for Best Short Story in 2024.
In his latest novel, The Sky of Kukulkan, published by New Star Press, Baoshu turns his fascination with the ancient Maya civilization into a story about humanity itself. The book is Baoshu's first major work after receiving the Mao Dun Newcomer Award.
Set during the final period of the Maya Classic era, the novel follows a fallen prince who, with the help of a priestess, gradually uncovers the secrets behind astronomical movements, unusual solar phenomena and the legend of the Feathered Serpent deity.
For Baoshu, the story is ultimately not only about the Maya, but also a reflection of humanity itself, its pursuit of knowledge and the universe, as well as the conflicts driven by human flaws.
"I think the most fascinating part of this story is that the Maya civilization is a microcosm of humanity itself," Baoshu told the Global Times. "It reflects mankind's journey to explore the universe and seek truth, while also showing how human weaknesses, such as greed and hostility, can lead to endless conflicts within society."
The road to sci-fi
Born in 1980, Baoshu developed his passion for writing early. After moving to Haiyan, East China's Zhejiang Province, at the age of 6 with his parents, who worked in nuclear power construction, he spent much of his childhood reading science fiction and popular science books in local libraries.
As a primary school student, he began writing his own science fiction stories, although he said that his early works were immature.
His pen name, "Baoshu," has a much simpler origin. More than two decades ago, he chose it casually as an online username because he was a fan of Chinese martial arts novelist Jin Yong and created several usernames inspired by characters from Jin Yong's works. Most disappeared over time, but "Baoshu" remained.
After studying philosophy at Peking University, he continued writing short stories. His professional science fiction career began in 2010 while studying in Belgium, when his admiration for Liu Cixin's The Three-Body Problem inspired him to write the fan fiction novel The Redemption of Time (Remembrance of Earth's Past).
"His work has always set a benchmark for me, a standard I hope to approach even if it remains a distant goal," he said.
For Baoshu, The Redemption of Time (Remembrance of Earth's Past) was driven mainly by his love for Liu's fictional universe and his desire to explore the possibilities beyond the original trilogy.
"The world created by The Three-Body Problem is so rich and diverse that you feel there are many stories behind it that were not told," he said.
"I wanted to express some of those possibilities in my own way."
Sci-fi future
Baoshu said that, looking ahead, science fiction will continue expanding as technology changes society.
With technology such as artificial intelligence (AI) advancing at an unprecedented pace, the boundary between science fiction and reality is becoming increasingly blurred. Ideas once imagined only in novels are now entering everyday life, creating new questions and possibilities for writers to explore.
AI, for example, has created new creative opportunities and raised new questions about humanity's relationship with machines. But he noted that AI is not an entirely new topic for science fiction.
"Science fiction has been writing about AI for many years," he told the Global Times. "At different stages, new technologies emerge and connect with new social issues, creating new possibilities for storytelling."
He expects one major direction for future science fiction will be "science fiction realism" - stories that focus on how technology affects ordinary life, society and human emotions.
Another challenge for Chinese science fiction is finding deeper connections with local culture.
"Science fiction was once seen as a relatively foreign literary form because it originated overseas," Baoshu said. "But as the genre expands into deeper areas of social life, it also changes how we understand the past."
He said, as science fiction continues to gain popularity in China, the genre is creating more opportunities for new voices.
Efforts to promote new forms of popular literature have given people from different backgrounds more opportunities to write and share their voices.
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